-
-
-
-
-
-
-
-
-
Entry Court
The entry bridge of glass, concrete and water to the front door of the Sheats/Goldstain House.
-
Dining Room
Ceilings over the dining area and kitchen were operable and open to the sky in the Sheats/Goldstein House.
-
Water Element
Water and concrete elements transfer from inside to outside for continuity of space.
-
Roof Held Up by Glass
A faint glass barrier separates the indoor living room from the outdoor pool deck in the Sheats/Goldstein House.
-
Holes
Glass bottles provide small, natural daylight portholes throught the thin concrete shell roof.
-
Triangles
Ivy comes from outside into the living room under the triangulated poured-in-place ceiling that flies over the living room.
-
Bottles
View of the 750 glass bottles penetrating the roof structure over the living room of the Sheats/Goldstein House.
-
Pool
The concrete roof touches down on the far side of the pool.
-
Connected Space
Poolside looking into the living area of the Sheats/Goldstein House. The roof encompasses both outdoor and indoor spaces.
-
Under the Sea
Looking through the windows of the master bedroom to the pool water. It was designed so Mrs. Sheats could keep an eye on the kids from down under.
-
Floating Box
The master bedroom hangs out over the jungle of the Sheats/Goldstein property.
-
The View
The exposed corner of the master bedroom floats above the landscape below with a view to remember. It opens via concealed controls and motors for a completely open air experience.
-
Look Over Here
The pointed edge of the floating pool deck overlooking Century City.
-
Framed Perfectly
View from the master bedroom, Lautner style. This is directly below the point of the pool deck edge seen in the last image.
-
Forced Perspective
Infinite space.
-
Glass Floor
A new addition - a glass landing along a walking path down the hill of the site.
-
With Teeth
Newly installed steps leading down to the skyspace on the property.
-
Hot Supermodel
A model of the originally proposed design.
-
Bathed in Light
The entry of the Schwimmer House was designed as a gallery.
-
I Love Her Curves
Yes, the roof rafters actually curve gently.
-
Lovely Composition
Schwimmer House dining room. The roof passes over all of the spaces to link them together. Here, the roof is connecting the dining area to the kitchen beyond.
-
Home is Where the Hearth is.
The living room of the Schwimmer House.
-
Arch
A glulam beam arches over the living room into the entry. The partition wall between stops short for the spaces to be connected.
-
Greetings
A view on the way up to the Harpel House.
-
Outdoor Space
The entry court to the Harpel House.
-
Framed Perfectly... Again
A view from the entry court of the Harpel House through to Studio City on the other side. Pictures were not allowed inside.
-
Pool Deck
The Harpel House pool and view.
-
Peek-a-boo
The Mailin House (Chemosphere) peeks over the Harpel House in the background. Malin met Lautner when he was building the Harpel House.
-
Jacobsen
The Jacobsen House was held up by three of these triangulated structural columns.
-
Hangman
A suspended dining room is seen hanging below a triangular structural element as we move toward the entry to the house. Drama ensues.
-
Shower
This shower is as much inside as it is outside. Beyond is a private patio.
-
Slanted
The outdoor patio, which is an extension of the living room, has an amazing view over Studio City.
-
Interlocking Geometry
The living room fireplace in the Jacobsen House.
-
Glass Ceiling
The glass box that defines the dining area has a panoramic view and borrows nature to bring it indoors.
-
The Other Twin
Next door to the Jacobsen House is the Polin House of similar vernacular.


